- edit - I would bet my right arm the film is totally awesome and I'm looking forward to seeing it so much I can't tell, but it's just so weird and uncommon for this festival to award a film like that. It's Asian though, so it kind of makes sense. :D
- edit - I would bet my right arm the film is totally awesome and I'm looking forward to seeing it so much I can't tell, but it's just so weird and uncommon for this festival to award a film like that. It's Asian though, so it kind of makes sense. :D
We figured - wordlessly - that my sadness displayed there was all due to nostalgia. Nostalgia that I now deem completely naive and stupid, although it is no less than human.
Some things that define this summer are nothing short of ridiculous.
In a few months' time I am going to apply for Croatian citizenship.
your food and culture are super, but the rest... not so much.
"Zagreb n'est pas en Slovénie?"
"Où est Belgrade?"
"Qui est Balzac?"
"Vous connaissez limonade?"
"Vous avez l'internet en Slovénie?"
*pointing at Greek alphabet* "C'est quelle langue?"
"Ah bon je serai en Slovénie cet été quand je voyagerai à travers la Sibérie."
...
Pas sympa, mes chers.
ONE YEAR AGO i made a list of everything i hated with long, profound explanations embellished with all sorts of descriptive adjectives, curse words, the usual mix of languages (writings in my black books (to which i feel i've been referring too much recently but they're "where it's at") are only comprehensible to me due to multilinguism, wrecked spanish, faux french, random kanji...) well, the naïve child i was (and still am), i thought that by creating such a list and spilling everything out, i would get rid of those negative emotions forever & would never be bothered by things described again. truth? i'm as full of hate as i'm full of love, always was, always will be, despite the efforts. i used to think hate shouldn't be felt, but (sadly?) i'm just human. i hate. sovražim. je déteste. ich hasse. mrzim. odio. |

FIRST EXPOSITION to kim ki-duk - motovun film festival, 2003. despite seeing other films at the festival in years that followed, the one that will always remind me of it instantly is spring, summer, fall, winter... and spring. a whole new world of aesthetics, it was probably the turning point of my fascination with east asia. underneath enjo kōsai, kim jong-il's film collection and qipao lies my personal reason/core - the incredibly specific connection with nature, which is ironic in itself considering certain acts of these countries, but it's still present moreso than anywhere else in the world, i think. if i study japanese/korean/chinese, it will be because i want to become japanese/korean/chinese in order to understand this fully, a complete immersion, i wonder if so-called "foreigners" are capable of understanding other nations, does effort (we're talking lots of) suffice or is it just "impossible"? i do not like to believe that anything is impossible, but i can't know for sure. a certain euphoria & anxiety in late night/early morning hours, the world is so full of possibilities. |

I have finally invested in a proper address book because I have addresses scattered all over the place and I want to put them together for once. Since I'm too lazy to turn my whole room inside out, I would appreciate if you commented with your address or emailed me if you don't mind me having it/want me to have it.
Comments are screened. Thanks.

Tomorrow at 01:00am I leave for Barcelona — another chapter in the series of unpredictable returns. What is it to bring ? Last summer I made a return to the very city that made me realize I wanted to spend my life capturing life around me ( that is, in essence, it ) and then ended up disappointing me three years later. Sitting here, in Ljubljana, I can't see how Barcelona could turn out to be the same disappointment upon second visit, but fact is it better not happen because I've considered living there once, despite my profound dislike for the Catalan language ( to me it looks like a crazy mix of Spanish, French and Portuguese, not clear in the least bit, which is, for example, something that I find very appealing in French )
I am taking my polaroid camera, a ton of expired film and a point&shoot. My Canon AE-1 is too valuable to be taken on such a trip and I would die if something happened to it, although I'm equally dying because I won't be able to capture Barcelona with it, but I know I will return again... I would like to spend weeks in cities just taking photos, nothing else, and it's exactly what I'm going to pursue when the time is right. Whenever I go somewhere, the first thing I think about is what camera(s) I'm going to take because not every camera suits every city. I don't understand why I'm so drawn to capturing ( = saving ) things around me when at the same time I do everything in my power to escape my surroundings wherever I am. This summer I'm going to Serbia, Montenegro, Croatia, Turkey, possibly England. I'm going to divide the remaining time between visiting Piran & people and somewhat parading around Lj., going to restaurants, taking photos... This is is my last summer as a non-adult and the thought of this is downright bizarre because I doubt I'll ever be able to think of myself as an adult, despite the number. Age is just a number.
***
FROM 'ZWARTBOEK' : "Destroy me." in my head, non-stop. "Destroy me." as an above-the-Earth plea/order/stimulation whispered in the ear in the voice of a film heroine right before slipping into a parallel reality in which time doesn't exist but is at the same time the only thing that really disappears. For this reason, even the purest "Destroy me." is meaningless because the moment of final oblivion keeps laughing in the face of my inhuman efforts and when I run run run to catch it, it escapes me with such easiness and grace that I am not sure any more why I thought I was capable of reaching it in the first place. Occupied with achieving something I can't have, I fail to see that those images are becoming more intense with each new step on the path of destruction and again I reach the beginning. "Destroy me." is meaningless for one more reason: I am already destroyed. — Appetite for (self)destruction has always fascinated me because I have never been able to grasp it in its entirety, although I came very close a few times — bad things happened but I was strong so I was able to get out with no consequences except lynched memories. I would like to understand all dimensions of human functionality, but it's probably not right to force it. When I was 4, I was very self-conscious and wanted to know everything. My biggest pet peeve was having to listen to adults saying "You're too young" endlessly. When asked what I wanted to become in life, I would reply "Adult." And now that I'm on the road to becoming one, I have realized that I might have been mistaken all this time.


